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María Odériz

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EUROPEAN HERITAGE DAYS. JAVIER, NAVARRA, SPAIN

A very special European Heritage Days

By the end of June, in agreement with the city hall of Javier, we decided to let the 2020’s European Heritage Days start, with this year’s slogan “Education and Heritage”. Everything was new and uncertain, the confinement during spring had just ended, so we were facing summer with as much excitement as uncertainty there was. Said this, the best option was to design a safe yet versatile plan for the Heritage Days, that could easily adapt to whatever may the future bring.  We had to do it, we had to do it for culture, for life, for giving work opportunities, even if they were small and according to our resources, but we had to get moving. So, the first thing we did was to connect our volunteers with the town of Javier, with its heritage and with its people as well.

Early meetings in Javier, during summer

Get to know each other, undertake, create

Once the program was projected with guided visits to the castle, summer concerts previous to the saved dates, talks about sailing during the times of Saint Francisco Javier, and the main course,  the outing of the paintings of the Dance of the Death at the Chapel of Saint Christ of the Castle of Javier, we presented it to the town at an open session in the City Hall.

Visiting over and over again

One of the things that the volunteer have done, especially María and David Rodríguez, was to learn a lot about the castle. They were present during many days of guided visits, they got plenty of reading material and then they rehearsed those visits on their own.

The organizing team next to the city mayor and one of the town councilors.

Another one of the studied spaces was of course, the Chapel of Saint Christ, or the Christ of the Smile. A small, non-visitable space. Why is that? Mainly for two reasons, the first one – at least chronologically- to preserve the paintings of the dance of the death, which are very close to the human touch. The second and nowadays most important reason, is that this space that invites to meditation and observation, makes it impossible to keep safety distances. It’s a heavy reason due to its sanitary importance

Those curious reflections seen on the picture have a reason: that photograph is taken from a superior floor and through a glass wall from where all the Chapel and its paintings are visible

All the volunteers visited the chapel and learned about the iconography and peculiarities of these pictures in Javier

Creative Implication. Fundamental for Patrimonio para Jóvenes.

Besides learning, in our Association it is very important to create. We look for implication, creation, thinking for a better support and communication of heritage to new public spaces. We had a challenge in our hands: We have to preserve, but how can we spread something that’s closed to the public? There are many precedents and examples of this dilemma. Probably one of the best known in Spain is the case of the Altamira Caves.

With this idea on mind, with the help of the photographer María Cantero, and the architect Juan Roldán Marzo, we prepared an expositive design that would exteriorize the paintings of the Dance of the Death. It was fundamental that they could be seen closely, yet in open and safe spaces, and people could interact with them to have a better understanding of this iconography. Here are some pictures of the process.

On the left, Laura Guindano mayor of Javier, talking with photographer María Cantero
María Cantero during her photographic tasks

This wasn’t an easy job for María Cantero. The space is very tight and dark too. It took many hours in the chapel and overall, a lot of time focused on the edition and adjustment of the images.The result was extraordinary and that helped Juan Roldán on the creation of individual panels from which the skeletons could be removed. Before going through all the paintings, he presented in Javier a prototype created with the help of his friends from “Rótulos Diper”

Laura Guindano with Juan Roldan on August

Until the day arrived, the music…

We thought it was a good idea to create previous events to the European Heritage Days. A jazz concert in the terrace of a bar in a summer evening was something convenient, nice and relaxing. So we did that.

Iñaki Rodríguez

We called our friends form Pamplona Jazz, who had already been with us on February in ‘”In love with a museum ” Back then, we couldn´t suspect the circumstances that would bring us together again.

Luisa Brito

Nevertheless, the important thing was the reencounter with Iñaki, Luisa and Ramón, and how great their music sounded, leaving astonished to all of those who hadn’t listened them before.

Ramón García

Here are some pictures of that August evening.

They day finally came

We had walked a long road for months. Bonds were tightened, Knowledge grew, we enjoyed it fully, and September 25th came and left as any other day, but leaving great memories behind.

That Friday we didn’t have the usual summer weather of past Heritage Days. It was cold, on Saturday it rained, but we felt the warmth of the Heritage, of the fruits of a thoughtful work done for a long time. That Friday 25th we greeted members of the Institute of Naval History and Culture, Eduardo Bernal and José Cánovas. They talked about “Sailing in the times of Saint Francisco Javier” and the circumnavigation of Magallanes-Elcano”.


Cánovas. They talked about “Sailing in the times of Saint Francisco Javier” and the circumnavigation of Magallanes-Elcano”.

We filled our allowed capacity. Everybody helped out by having a seat and keeping a distance, and the hotel staff meticulously took care of the distribution of the room for the people’s safety. The next day, people arrived to enjoy the guided visits that María and David had rehearsed so much

An European Heritage Days that we will never forget

It was lovely to watch the support and affection they received from their firends. All of them came to Javier to discover the castle in a very special way. The public that day was heroic. Bad weather, rain and cold, and yet they were there

David Rodriguez during one of the visits

The groups of each guided visit, normally with a máximum of 20 people, were now reduced to 15. That meant we had to put extra work because the demand was bigger, but we delightfully complied.

I myself was in the porch of the building next door explaining the externalization of the Dance of the Death

María Odériz preparing everything before the public’s arrival
General view of the exhibition room with the paintings of the “Dance of the Death”

One of the essentials of this exhibition was, as I said above, interaction. To get people to enjoy and understand, and therefore, to leave with the feeling of discovering a new face of Javier, appreciating its heritage a little more. There were very fun moments and many people took pictures. Here are some of our volunteers.

In the afternoon we had scheduled a visit to the “molinaz”, ( The molino) the ruins of an ancient mill next to Javier. A walk by a gorgeous river, but unfortunately they day didn’t help us. Our volunteers went through the route and verified that there was too much mud and tangled roots that could end in a dangerous accident, specially four our elderly visitors.

We opted to listen to the talk at the City Hall, and it was great to listen to Enrique Galdeano. In a pleasant yet insightful way, he made us realize about many dilemmas that come up during art restoration, about our experiences facing ruins and the meaning of ancient buildings through time.

At last but not least, with Jorge Feito , Technical Manager Mining at Geoalcali a present and on-line talk about “Nurturing the earth”, because landscape is part of our heritage as well, and knowing how to take care of the field that surrounds us is very important.

The only thing left to say is that finally, for another year, we’ve peaked. Thank you all for coming, Thanks to the town of Javier for trusting Patrimonio para Jóvenes on the management of this European Heritage Days.

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A TRIP, AN ARCHITECT, A TALE

         The beginning: A Christmas morning

Last January, we traveled to Vitoria. It was a cold, nice morning and we had a lot of fun. We visited the New Cathedral of Vitoria, The Fine Arts Museum, and some people even went to practice a little ice skating.

We also discovered three people. They were going to become very close friends to the team of Patrimonio para Jóvenes. The Bishop from Navarra, Cadena Eleta, and the architects Julian Apraiz and Javier Luque.

Ante la maqueta de la Catedral Nueva de Vitoria

       The idea

The Bishop Eleta from Navarra and the buildings made by Apraiz (some of them with Luque) are all around this area. Not far away from us.

The students María Oderiz and Marta Aparicio earned the scholarship to prepare about this interesting topic. After this, they had to present their investigation to the members of Patrimonio.

En el Banco de España

Here you have a little abstract, especially with pictures about this story.

       First, Pitillas

It´s a small village in Navarra. There is a little museum with some of the belongings from Cadena Eleta. He donated them to his village.

En el Museo de la parroquia de Pitillas

There is also this house, called “the Bishop´s house”. But actually, it was never his property. It was his sister’s house. Her name was Margarita (Daisy) and this is the reason for what you can see painted daisies on the roof . (By the way, done in a stunning ceramic).

La llamada "Casa del Obispo" en Pitillas, Navarra

     Bilbao :

We went from a small village to a big city as Bilbao. There, in one of the most important streets, Gran Via, Apraiz built the “Banco de España” (Spain Bank). In the middle of the financial area of Bilbao, it is a building whose decoration reminds us of classical antiquity.

The inside has suffered many transformations according to the times. Anyway it has the smart, majestic and cool atmosphere from the beginning of the 20th century.

It’s amazing to discover its big dome made of stained glass. It was made by the Maumejean factory, a French factory of stained glass seen several times at Apraiz’s buildings.

Cupula del Banco de España de Bilbao

I want to thank all the staff from Banco de España in Bilbao for their attention with us, especially to Ascension, who spent part of the morning with us.

Con Ascensión en el Banco de España de Bilbao

Also thanks to Obra Insignia Company, who helped us with this visit.

I suppose Apraiz was so happy and proud about the result of his job in Bilbao. Check out how ostentatious is his sign on the wall of the main entrance of the bank.

Ante la firma de Julian Apraiz en el Banco de España de Bilbao

       Laguardia

And let’s go again to a village. Now to the area called “Rioja Alavesa” famous because of its wineries. At Laguardia, Apraiz built a hospital. Today we can only see some parts of the building. Today is a secondary school. Anyway, we could see how different is the aesthetic of this building compared to the one of the bank.

The hospital (currently a school) is located in front of a beautiful landscape. Everything thought in order to have a very healthy atmosphere for patients

It’s nice to read from newspapers of these times: The hospital was provided with all the modern advantages (from that time) such as disinfectant treatment for laundry.

Laguardia has also a great artistic heritage, as the “Santa María de los Reyes”. This is what we called “The visual universe of Apraiz”.

Santa María de los Reyes .Laguardia

With this, we want to explain that Apraiz visited himself very artistic and historical places. He knew the Gothic, before going to the “ Neo-gothic”.

    Burgos :

In this city famous because of its Cathedral and because is on the way of Saint James, Apraiz had also made history.

He took part in the restoration of the large spires of the cathedral. Maria and Marta worked on this issue. They read about what architects did at the beginning of 20 century.

We also visited the new archiepiscopal palace built again with Cadena Eleta, and Apraiz and Luque.

Detalle del balcón en la esquina del Palacio Episcopal

We also thank to the municipal archives of Burgos, who helped us a lot when looking for information and documents.

        Acknowledgments

Thanks to the family Apraiz who received us in Vitoria at the end of this job. It was so nice to meet his grandson and great grandson. Here they are, with Marta and María.

 

En el estudio del arquitecto Mikel Apraiz

 

         At Mencos Palace

At the end of September, Marta and Maria gave an informal chat about this trip in Tafalla (Navarra) at the Mencos Palace. Here you have some moments of this day and the very nice meeting we had.

En el Palacio de Los Mencos

En la entrada al Palacio de Los Mencos

Art and heritage are a great excuse to make new friends.