THE STORY OF A VIDEO
THREE VERBS PRINTED ON GLASS.
On A glass and in full color: Learn, Engage, Enjoy. This was the proposal written in the entrance of the Ryan Learning Center of the Chicago Art Institute. Those three words marked me. I found them superb, because it also matches perfectly with a recurrent phrase here at Patrimonio para jóvenes : “Art is not a subject, it’s an experience”.
2018 is the European Year of Cultural Heritage, and this occasion demanded a special homage, and there’s nothing better than letting Clara Frago talk to us through her camera.
The #Meztuelviaje Video: What For?
To link the painting with the painted landscape (the Sorian countryside) and the landscape with traditional costumes.
To let these links turn into creativity. There had to be a speech, an original script. Telling the story of someone visiting a museum had no special interest. However, if those visits appear by the strength of the paintings, if these works are the ones dragging the observer until merging into the piece of art, the whole story changes.
To turn creativity into an ambassador of cultural heritage.
The story of this video takes us to two museums, one in Navarre, the other in Bilbao, and to the surprising Sorian village of Calatañazor. Showing you these places is our way to invite you to visit them.
FEW RESOURCES TURN INTO A CHALLENGE
A simple camera was all our equipment. A simple camera, but a great team
#Maeztuelviaje its a perfect example of the wit, creativity and expertise that represent Clara Frago Daza’s work.
We rooted for her four years ago, when she was still a student at the Communications Faculty of the University of Navarre. Now she has become a professional and her work never disappoints.
This Project has taken tons of hours from her. Despite the trips were long, they were the most entertaining part. The hardest challenge was to sit down and think how to tell this story.
AN EXPERIENCE THAT GATHERS PEOPLE
#Meztuelviaje was recorded between February and May, with many small obstacles such as rain, storms and winds. Against all odds, the Project could move on, also thanks to the collaboration of many people.
Camino Paredes, director of the Gustavo de Maeztu Museum and Eneritz Guillen Monasterio from the Communication department of the Beaux-Arts Museum of Bilbao. In both museums, they made everything easy for us to record its interiors.
While in Soria, Enrique Borobio went one afternoon to Calatañazor with his complete collection of Sorian costumes. We couldn´t help dressing Juan Roldán just as the Blindman of Calatañazor.
Due to obvious protection and preservation reasons, we couldn´t use the original robes from the Museum of the Sorian Traditional Costume. They’re very antique, and their handling is extremely delicate. Enrique gave us a lesson about the importance of preserving while spreading knowledge about these treasures.
Juan Roldán: Architect and fearless collaborator. In January we asked him if he would be interested on an acting career, he didn´t hesitate on saying yes, so now he was just expecting Clara’s instructions.
Marta Castaño and Miguel Mirón joined them and enjoyed the Castilla experience.
They enjoyed of the beautiful landscape and a delicious breakfast while being delighted with the gorgeous views.
I am pretty sure none og the mis going to forget that work of Gustavo de Maeztu.
They will always have the Sorian landscape and characters from Vozmediano and Calatañazor. As the time goes by, we’ll go back to this video and we will revive all this moments and experiences.